The articles on this special concern exemplify the wealthy variety of approaches, methodologies and critical frameworks that students have brought to bear on gay porn tube. They work to explode a quantity of stereotypes and generalizations about gay porn, who watches it and why.

For example, 'Gag the Fag: Tops and Bottoms, People and Things' by Damon Young challenges the notion that, via its representation of tops and bottoms, homosexual porn is inherently binary. Instead he argues that, via an analysis of the illustration of prime and bottoms in modern French supplies and on the website Gag the Fag, homosexual porn routinely deploys sexual enactments that are much more advanced and fewer binaristic than standard accounts would possibly recommend.

Similarly, 'Third Spaces in Gay Pornography' by Laura Maddison examines how the Third Space trope is used to misrepresent homosexual males. She factors out that, whereas 'homosexual erotics' is a well-liked phase of mainstream pornography and that homosexual sex movies characteristic sexy studs and massive cocks, the Third Space trope misrepresents homosexual men by portraying them as coercive predators.

In another article, 'Born Free: Lesbian Sexuality and the Production of Pornography', Melissa Ramsay considers how the production of pornographic material by lesbian ladies typically reflects harmful beliefs about feminine sexuality. For instance, many of the 'lesbian sex' plotlines found on well-liked mainstream porn tube websites embrace tales of lesbians being seduced by mailmen, pizza supply boys or male plumbers, and that they have the ability to convert straight males into lovers. While yukionna69 are supposed to be edgy and provocative, they perpetuate dangerous beliefs that girls shouldn't be taken critically, that they are sexually predatory and that they will 'change' their sexuality by seducing the proper man.

Noah Tsika's 'Blue Transfusions: Porn Aggregators and the Pirating of Queer Cinema' examines the emergence of recent platforms for the distribution of queer cinema, together with gay porn. While piracy is of course an pressing concern for the trade, Tsika's main aim is to focus on the ways by which porn aggregators repackage queer and underground cinema scenes in a way that makes them more accessible to heterosexual audiences.

Finally, 'Men's Pornography: 50 Years After Homosexuality Was Decriminalized' by Tom Waugh reappraises his essay on the identical subject printed within the original Jump Cut in 1985. It reminds us that, although his essay supplied a powerful basis for research on male masturbation, the sphere of men's pornography is still growing and changing.

These new and emerging areas of study present the vibrancy and richness of scholarly analysis on homosexual porn. It is more essential than ever to proceed to query how and why pornography is produced, what it says about the cultures it emerges from and who it is for. This particular issue of Porn Studies is a small step toward that objective..